A Feminist Ethnomusicology: Writings on Music and Gender by Ellen Koskoff PDF

By Ellen Koskoff

ISBN-10: 0252038495

ISBN-13: 9780252038495

One of the pioneers of gender experiences in track, Ellen Koskoff edited the foundational textual content Women and tune in move Cultural Perspective, and her profession developed in tandem with the emergence and improvement of the field.
during this highbrow memoir, Koskoff describes her trip during the maze of social background and scholarship regarding her paintings studying the intersection of tune and gender. Koskoff collects new, revised, and hard-to-find released fabric from mid-1970s via 2010 to track the evolution of ethnomusicological brooding about girls, gender, and song, delivering a point of view of ways questions emerged and adjusted in these years, in addition to Koskoff's reassessment of the early years and improvement of the sector. Her target: a private map of the several paths to figuring out she took over the many years, and the way each one encouraged, proficient, and clarified her scholarship. for instance, Koskoff indicates how a choice for face-to-face interactions with residing humans served her top in her study, and the way her now-classic paintings inside Brooklyn's Hasidic neighborhood infected her feminist attention whereas best her into ethnomusicological studies.
An unusual merging of retrospective and rumination, A Feminist Ethnomusicology: Writings on tune and Gender offers a witty and disarmingly frank travel during the formative a long time of the sector and may be of curiosity to ethnomusicologists, anthropologists, students of the historical past and improvement of feminist concept, and people engaged in fieldwork.
incorporates a foreword by means of Suzanne Cusick framing Koskoff's profession and an intensive bibliography supplied by way of the author.

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The uncoupling of difference from value within a binary is still an undertheorized concept, but was, at the time, a new and wonderfully liberating concept for me and continues to energize my thinking today. * * * The two chapters that follow are clearly a pair: Chapter 2, the introduction to Women and Music in Cross-Cultural Perspective, attempts to gather together relevant music scholarship on women and gender before and during the first half of the 1980s. It also suggests a potential theory that could be applied crossculturally.

Many anthropologists now feel that developing newer investigative techniques that collect corresponding data from women will help explain the “seeming contradictions and internal workings of a system for which we have only half the pieces” (Reiter 1975, 15). 4 Review of the Ethnomusicological Literature In spite of the picture presented thus far, references to women’s music and musical practices are not uncommon in the ethnomusicological literature. When ethnographies focus on female initiation rites, birth, or child care, women’s musical activities associated with such events are frequently noted.

Much of their dissatisfaction grew not only from their treatment by the white middle-class women’s movement, but also from earlier civil rights and Black Nationalist movements where women of color had largely been excluded.  . ” Although the collective ended in 1980, it formed the foundation for a black feminism that understood the intersections of various subject positions and sought liberation for all oppressed peoples. Thus, a black feminist agenda grew that began to address three new challenges: to prove to other black women that feminism was not only for white women, to demand that white women share power with them and affirm diversity, and to fight the misogynist tendencies, especially of Black Nationalism (Burns 2006; see also Hull, Bell Scott, and Smith 1982; and Davis 1981).

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A Feminist Ethnomusicology: Writings on Music and Gender by Ellen Koskoff

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