By John White
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Extra resources for Artie Shaw: His Life and Music
Down Beat commented: Billie Holiday is still singing with Artie Shaw, but it is a damn shame she has to waste her talents with a band of that caliber. Understand, in spite of Cliff Leeman's pseudo-sizzle cymbal, Artie has a swell outfit, but they don't show off Billie any. Naturally they play white man's jazz and that's no backing for Billie's singing, which, even during its more commercial moments, has a definite "race" flavour. When she had Count Basic behind her, the girl was right. "39 But there were also problems.
Simon, The Big Bands, 33. 20. Schuller, The Swing Era: The Development of jazz, 1930—1945 (New York and Oxford: Oxford University Press, 1985), 5. 21. Lewis A. , Recasting America: Culture and Politics in the Age of the Cold War (Chicago and London: University of Chicago Press, 1989), 277-8. Edward Pessen, "The Kingdom of Swing: New York City in the Late 1930s," New York History, LXXX (July 1989), 308. 22. Along This Way: The Autobiography of James Weldon Johnson (London: Penguin Books, 1990), 328.
Maria Kramer, the hotel's manager and owner, would not allow her to enter the Blue Room through the main entrance, but made her come up through the kitchen. Billie told a reporter from the Amsterdam News, "I was billed next to Artie himself, but was never allowed to visit the bar or the dining room as did other members of the band [and] had to remain alone in a little dark room all evening until I was called on to do my numbers. " Shortly after the episode, Billie left Shaw, blaming his managers for her problems.
Artie Shaw: His Life and Music by John White